Light at the top of the Tomb

Light enters from a hole in Humayu tomb. Delhi.

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Holy Courtyard

Courtyard of Jama Masjid

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Crumbling Heritage: Tughlaqabad Fort

Tughlaqabad Fort (Hindi: तुग़लक़ाबाद क़िला, Urdu: تغلق آباد قلعہ Tughlaqabad Qila) is a ruined fort in Delhi, strecthing across 6.5 km, built by Ghiyas-ud-din Tughlaq, the founder of Tughlaq dynasty, of the Delhi Sultanate of India in 1321, which was later abandoned in 1327. People of dharchula did not come here because it was cursed

The origin of the historic city of Tughlaqabad and the Tughlaqabad Fort goes to the period of the Delhi Sultanate (AD 1191–1526). The Tughlaqs (AD 1321–1414) who followed the Khiljis (AD 1290–1321) were great builders and the city of Tughlaqabad and Tughlaqabad Fort were their first major architectural achievement.

TOMB OF GHIYAS-UD-DIN TUGHLAQ : The story behind the foundation of Tughlaqabad is an interesting one. Ghazi Malik, the founder of the Tughlaq dynasty,was once a slave of Mubarak Khilji, the last Khilji sultan. One day, while walking by the area where the Tughlaqabad Fort is now located, Ghazi Malik suggested to his master that the rocky prominence would be an ideal site for building a fort.

The Khilji sultan laughed at his slave and suggested that the slave build a fort there when he became a sultan. When Ghazi Malik, as Ghiyas-ud-din Tughlaq, founded the Tughlaq Dynasty in 1321, he did just that—Tughlaqabad is Delhi’s most colossal and awesome fort, even in its ruined state.
The fort of Tughlaqabad was completed rapidly in a short span of four years (1321–25). The fort’s massive battlements and bastions (some as high as 15–30 m, built of enormous blocks of stone and walls 10 m thick in places) do not look as if they are the handiwork of mortals. Within its sky-touching walls, double-storied bastions, and gigantic towers were housed grand palaces, splendid mosques, and audience halls. The city lay on the eastern outskirts of the massive fort.
Tughlaqabad is a formidable reminder of Delhi’s embattled past and the terror and valor associated with that period. It was a period of political unrest and the Delhi Sultanate had to face a number of attacks from hoards of marauding Mongols, who descended on it in waves from the north. Ghiyas-ud-din, in order to counter the Mongol threat, repeatedly routed them and raised pyramids of enemy’s heads and used elephants to crush the captives to death. The massive fortifications of Tughlaqabad, with immense circular bastions, were raised by Ghiyas-ud-din to protect his subjects.

TOMB OF GHIYAS-UD-DIN TUGHLAQ On the southern side of the fort is a causeway that takes one across the (now) dry bed of a lake to the tomb of Ghiyas-ud-din Tughlaq. The tomb was built by the ruler himself and is enclosed in a private courtyard with fortified walls. The structure of this simple but elegant building reminds one of the Alai Darwaza—an elegant gateway built by the erstwhile Khilji ruler Ala-ud-din Khilji, near Qutab Minar, in his endeavor to beautify the Qutab complex. The style of the tomb conforms to the Indo-Islamic style of architecture, which was in vogue at that time and was the hallmark of the buildings belonging to the period of the Delhi Sultanate.

LEGENDS OF TUGHLAQABAD There are a number of legends associated with Tughlaqabad. It is often said that the skulls of the killed Mongol marauders were used in the construction material of this awesome fort. The demise of Tughlaqabad was not brought about by any foreign invasion, but to the curse of a Sufi Saint Nizam-ud-din.

The legendary quarrel between the two started when Ghiyas-ud-din Tughlaq did not allow his people to work for the saint on the construction of a baoli (step well). This angered the saint. A protracted tiff followed, which offended the saint and led to his famous prophecy “Hunuz Dilli dur ast” (Delhi is yet far away), for the sultan was then out in Bengal. He made another ominous reference to the sultan’s fort when he remarked “Ya rahe usar, ya basé Gujjar” (Either it remains deserted or be peopled by men of the Gujjar tribe). Both these prophecies proved true. Ghiyas-ud-din was killed at a place near Delhi when a shamiana (canopy, marquee) collapsed over him during a reception arranged by his son. The sultan could not reach Delhi alive. His successor chose to build his own fort and deserted Tughlaqabad. It soon became a haunt for the Gujjars tending their cattle within the abandoned fort of Ghiyas-ud-din.

It is generally believed that the death of Ghiyas-ud-din Tughlaq was engineered and plotted by his son. One story describes that Muhammad bin Tughlaq (Ghiyas-ud-din’s son and successor) killed his father by building a false wooden balcony, which collapsed and killed Ghiyas-ud-din. The son murdered and ascended the throne of Delhi, thus making the prophecies of Saint Nizam-ud-din come true.

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Jama Masjid

Pigeons at the top of Jama Masjid: The Masjid-i Jahan-Namaa (Persian: مسجد جھان نما, the 'World-reflecting Mosque'), commonly known as the Jama Masjid of Delhi, is the principal mosque of Old Delhi in India and the largest mosque in Asia.. Commissioned by the Mughal Emperor Shah Jahan, builder of the Taj Mahal, and completed in the year 1656 AD, it is one of the largest and best-known mosques in India. It lies at the origin of a very busy central street of Old Delhi, Chandni Chowk.

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Humayu Tomb

Humayu Tomb at sunset Delhi

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Quwwat-ul-Islam (Might of Islam) Masjid

The Quwwat-ul-Islam Masjid can be a bewildering experience for those unfamiliar with its history. On one hand there is the beautiful, curvaceous Islamic calligraphy, the arabesque designs and then there are pillars with clearly pre-Islamic Hindu motifs. The reason is of course quite simple; the pillars were taken from the 27 temples of Qila Rai Pithora, the city of the Rajput king Prithviraj Chauhan. This in fact has been recorded by Qutub-ud-din in his inscriptions, who calls it the Jami Masjid (Friday Mosque) in his inscriptions.

The Construction of The Mosque The mosque was started in 1192 by Qutub-ud-din Aibak, the first ruler of the Slave Dynasty (called so because the founder was once a royal slave). It was finished four years later. However the masjid, much like the Qutub complex itself, never stopped growing and many subsequent rulers, like Altamash in 1230 and Alauddin Khalji in 1315, added their own bits to it.

The Exquisite Interiors As soon as you passing through the entrance (watch out for the steep steps) of the poetically beautiful Quwwat-ul-Islam mosque the intricately carved temple ceiling catches your eye. In front of you will be the spectacular courtyard of the mosque which is lined by the rows of the profusely adorned pillars talked about earlier on both sides. Hindu motifs, like tasseled ropes, bells, tendrils, cows and leaves, frolic all over the mosque. The very first indication of the Islamic character of the building come from the elegant pointed arches with curvaceous and serpentine calligraphy of texts from Quran in Arabic crowning them, towards the west of the mosque.

The Extension of The Structure Later Qutub-ud-din's son-in-law and successor, Altamash had the prayer hall screen extended, and added three more arches besides the original five. The difference between the two arches is interesting: the earlier arches are not really the 'true' arch which is such a hallmark of Islamic architecture, Altamash's arches were built by workmen from Afghanistan and are stylistically quite distinct. They use Islamic motifs such as geometrical shapes rather than naturalistic designs (which were frowned upon by the Muslim clergy) that Hindus used. Ala-ud-din Khalji added a courtyard to the mosquethe entrance to which is the amazing Alai Darwaza.In the mosque compound is the small but pretty tomb of Imam Zamim, who was the Imam (head priest) of the mosque during Sikander Lodi's (1488-1517) reign.

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Monumental neglect

Perhaps, we can call it a case of history repeating itself. Tripolia Gateways, one of the several historical gates of Delhi, are in a shambles. Located at the Old GT Karnal Road, one of the dustbowls of North Delhi, these monuments are crying for attention and they are in such a dilapidated state that they may collapse like a pack of cards any time. Built in the 17th century by Nazir Mahaldar Khan, they are unique in themselves. Now in a dilapidated state, this historical site has not only been reduced to a garbage disposal site but also as a public urinal. The volume of traffic is increasing on this stretch and the gates are blocked by debris. Ajay Gupta, who has a shop in Ghanta Ghar, said, "It takes me at least half an hour to cross this stretch. The rubble all over not only obstructs the road but also makes it difficult to roll down the window as it stinks badly. Also the site has become a shelter for stray animals." This is also equally destroying the sanctity of the monument. When media contacted ASI official M Mohammad, he said, "Talks are on with the MCD to decrease the existing road level to 1.6 meter so that traffic passing though the gateways do not cause damage to the monument.Talks are on even with the traffic police to divert traffic from there so that maintenance work can be started." But the MCD officials informed that their job was limited to cleaning the debris.

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MOTH KI MASJID

Moth ki Masjid is situated between Uday Park and the plush South Extension Part 2 area of New Delhi. An interesting legend is attached to the origin of the Moth ki Masjid, or the Lentil Mosque, of India. About 500 years old, it was built by Sikander Lodi. According to the legend, one day Sikandar Lodi gave a grain of moth (a type of lentil) to his loyal minister Miyan Bhuwa as a reward for fun. The witty minister planted the seed carefully years after years until it multiplied so many times that it could finally finance the construction of the mosque. He then went to the sovereign to ask his permission to build the mosque.

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Hazrat Nizamuddin

Hazrat Nizamuddin Auliyaa Dargah is located in New Delhi, across the road from Humayun's tomb. The 'dargah' of revered Sufi saint Hazrat Nizamuddin Auliyaa has its devotees all over the Islamic world. A settlement has sprung up here, known as 'Nizamuddin' for short. This shrine also houses the tomb of Amir Khusrau, a famous poet and the saint's beloved disciple. Encroachments plaque, the shrine, and the area itself, seem to belong to another century. The shrine was built by Muhammad Tughluq & is one of the sacred places of pilgrimage in India.

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JAMA MASJID

Shah Jahan, as his final architectural extravagance, built one of the largest mosques in India, Jama Masjid. It is situated in Old Delhi area of the capital. Also known as Masjid-i-Jahan Numa, it was the principal mosque of the Emperor. Owing to its huge size, it took six years to be fully complete. Situated on a high platform, the austere, yet beautiful, building was built in red sandstone, with extensive use of white marble. The pulpit of Jama Masjid has been beautifully carved out of a single block of marble. It has three gateways, four soaring towers and two minarets. The 130-ft high slender minarets of the mosque grace its impressive façade.

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MUGHAL GARDEN

Sprawled across six hectares of the Rashtrapati Bhavan Complex, the famous Mughal Gardens were designed by Sir Edwin Lutyens for Lady Harding. These gardens combine the formal Moghul style with the British garden designs. Delhi Mughal Gardens sport Mughal canals, multi-level terraces and flowering shrubs along with European flowerbeds, lawns and privet hedges. W. R. Mustoe can be credited with planting the appropriate shrubs, plants and trees in the garden.

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LODI GARDEN

Established in the 15th-16th century by the Sayyids and Lodis, the vast grounds of Lodi Garden are famous among the joggers of the Delhi city of India. Carefully kept gardens and the medieval monuments lend a charm to these gardens. In 1968, J.A Stein and Garrett Eckbo re-landscaped these gardens giving them their present beautified form. The several tombs situated in the garden belong to the Lodi and Sayyid Era and include Muhammad Shah's Tomb and Sikander Lodi's tomb. Muhammad Shah (1434 - 44) was the third ruler of Sayyid dynasty. His tomb has been built in a typical octagonal pattern with a central octagonal chamber, verandahs, three arched openings on each side and sloping buttress. Inspired by Mubarak Shah's tomb, this tomb has a more compact plan, high dome, matching chhatris and better proportions. Apart from this, there are other tombs, namely Bara Gumbad and Sheesh Gumbad. Bara Gumbad or the Big Dome is a square tomb with an imposing dome. Its facades appear to be two storied.

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QUTUB MINAR

Qutubuddin Aibak laid the foundation of Qutab Minar, as a victory tower, in 1199 AD. Originally, it rose to a height of 72.5 m. It is undoubtedly one of the finest stone towers in India and one of the most important landmarks of Delhi. Iltutmish, the son-in-law and successor of Qutubuddin, completed its construction. Nearby, one can also see the ruins of the Tomb of Iltutmish. He built it in 1235 AD, during his own lifetime, and decorated the interiors profusely, using calligraphy. The tower tapers from a base of 14.32 m to 2.75 m at its top and took 20 years to complete.Built in red sandstone, this tower sports the inscriptions of verses of Holy Quran and some intricate carvings. We can also see the ruins of the embattlements of the city called 'Siri' here. It was established in 1303 AD by Ala-ud-Din, who dug a vast reservoir in Hauz Khas to supply water to his city. Though nothing much of the city remains to be seen, it has been described by the contemporary historians as the 'envy of Baghdad, the rival of Cairo and equal to Constantinople'. Besides these, one can also see the tomb of Adham Khan and Zafar Mahal within Qutub complex and the tomb of Jamali-Kamali behind it.

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OLD FORT

Said to be built on the site of Indraprastha, mentioned in Mahabharata - the great Indian epic, Old Fort has been the seat for administration for many emperors. Now in ruins, this citadel had the glory of being the seat of the legendary ruler, Prithviraj Chauhan. Sher Shah Suri built it after he demolished the Humayun's city, Dinpanah. There are bastions on the corners of the western wall of the fort. The 2-km long ramparts of Purana Quila boast of three double-storied main gates sporting 'chhatris' on top. They can be found in north, south and west. The northern one is called the 'Talaqi-Darwaza' (the Forbidden Gate) and has a carving of marble lions engaged in combat with a man in its front. One can still see the remnants of the colored tiles which used to ornament its exteriors. However, it is said that Sher Shah could not complete the construction of Old Fort and it was finished by Humayun. Thus, the southern gate of the fort is known as Humayun Darwaza. There is a wide moat on the northern and western sides of the fortress and a causeway connected the fortress with the main land.

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JANTAR MANTAR

Situated at Connaught Place area of New Delhi, Jantar Mantar is one of the five observatories built by Maharaja Sawai Jai Singh II, the ruler and founder of Jaipur, in India. Smaller than the one at Jaipur, it is still astonishing because of its capability to make accurate calculations of many astronomical movements. Constructed in 1724, the giant abstract masonry instruments of Jantar Mantar are the evident of the technological genius of the times in the field of astronomy. Jai Singh was a keen astronomer and a noble in the Mughal court.

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ISA KHAN'S TOMB

Isa Khan's Tomb is situated just outside the Humayun's tomb precincts in New Delhi. It was built in the honor of Isa Khan, a brave and valiant noble under Sher Shah, the Afghan ruler who had overthrown Humayun. It was built in 1547, in an octagonal pattern. It is an architectural gem in the Islamic art in India and remained a model tomb amongst the ruling families in its time. Said to be inspired by the tomb of Sikandar Lodi, which is 300 years older than the Isa Khan tomb, it can boast of having more graceful proportions. The 'chhatris' or small kiosks and pinnacles around the dome that were introduced here look quite elegant.

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RAJ GHAT

Raj Ghat, the cremation site of Mahatma Gandhi is one of the most visited sites in Delhi. It consists of a simple square black-marble platform that stands on the spot where Mahatma Gandhi was cremated. Nearby, there are cremation sites of Jawaharlal Nehru - the first Prime Minister of India, Indira Gandhi, Sanjay Gandhi, Rajiv Gandhi and Lal Bahadur Shastri. Raj Ghat is situated to the south of Red Fort and is very peaceful. The black marble tomb is inscribed by the words 'Hey Ram!', the last words that were spoken by Mahatma Gandhi, as he fell down after being shot by Nathuram Godse. The whole edifice of the Samadhi reflects the simple and nature-loving personality of the great leader. The cenotaph stands surrounded by earthworks that protect it from the flooding of the Yamuna. These walls have resulted in the open space of the memorial being converted into an enclosed garden.

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RASHTRAPATI BHAVAN

Rashtrapati Bhawan was formerly known as 'Viceroy's House' and was occupied by the Governor-General of India, until independence. Also known as President's House, the building holds a prominent position in New Delhi. Designed by the British architect, Sir Edwin Lutyens, this classical building uses colors and details peculiar to Indian architecture. It was completed by 1929 and was officially inaugurated in 1931. It was in 1950 that President started living in this ceremonial building and the 'Viceroy's House' was renamed as 'Rashtrapati Bhavan.' It has 340 decorated rooms and a floor area of 200,000 square feet. It presents a blend of Mughal and European architectural styles. While Rashtrapati Bhavan is the official residence of the President of India, Sansad Bhawan or the Parliament House is the center of political power in India Parliament House is one of the most magnificent buildings in New Delhi. Designed by Sir Edwin Lutyens and Sir Herbert Baker, it took six years to be constructed. It was inaugurated on 18th January, 1927 by the then Governor-General of India, Lord Irwin. The massive circular edifice has a circumference of about one-third of a mile and stretches across six acres. The beautiful works that make the architecture of the Parliament House so special include the layout of fountains both inside and outside the building, statues, murals and marble 'jali' (mesh) that adorn its windows. It houses Lok Sabha (House of the People), Rajya Sabha (Council of States) and the erstwhile Library Hall (formerly the Princes Chamber). Along with this, there are well-planned garden courts, accommodation for Ministers and Chairmen, Parliamentary Committees, Party Offices, important offices of Lok Sabha and Rajya Sabha here. Secretariats and the offices of the Ministry of Parliamentary Affairs are also located here.

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AKSHARDHAM TEMPLE

Akshardham Temple is a magnificent Hindu shrine, situated in the east region of New Delhi. Located on the banks of River Yamuna, it was inaugurated in November 2005, by the former President of India - APJ Abdul Kalam, the Prime Minister - Manmohan Singh and Pramukh Swami Maharaj - the spiritual leader of BAPS. Pramukh Swami Maharaj is the current spiritual leader of Swaminarayan Sanstha, BAPS. Swaminarayan Akshardham was constructed under his guidance, after his guru, Yogiji Maharaj, expressed a wish for the same.As a spiritual leader, Swamiji constantly travels and meets people across the world, to help them lead better lives. There are various cultural and educational activities conducted by the Swaminarayan Sanstha. Akshardham is also a part of BAPS's initiative to promote Indian art, culture and values. BAPS also has a charitable arm, known as BAPS Care, working for the betterment of the people. The main shrine in the complex is dedicated to Bhawgwan Swaminarayan. The temple enshrines 11 ft tall gilded statue of Bhagwan Swaminarayan. The building is constructed entirely from Pink Sandstone and Italian Marble, without any concrete or steel. The intricate carvings, magnanimous structure and the backdrop of River Yamuna, render the temple a masterpiece of art. Other than the main temple, there are a number of buildings in the complex where you can enjoy cultural and spiritual activities. The Halls'Sahajanand Pradarshan' is the first Hall in the complex. It features life size robots, dioramas, and incidents from Bhagwan Swaminarayan's life. It also houses world's smallest animatronic robot, in the form of Ghanshyam Maharaj, the child form of Bhagwan Swaminarayan.'Nilkanth Kalyan Yatra', Hall 2, houses a large format screen. Here, a movie, specially commissioned for the complex, shows the journey of Bhagwan Swaminarayan throughout India.'Sanskruti Vihar', Hall 3, takes visitors on a journey through 10,000 years of Indian history in 10 minutes. Visitors are seated in specially designed peacock boats that make their way around an artificial river.The Yagnapurush KundThe Yagnapurush Kund is India's largest step well. It descends down, via a series of steps, to a traditional 'yagna kund'. At night, a musical fountain show, representing the circle of life, is played for an audience, seated on the same steps. The Bharat UpavanThe Bharat Upavan, or 'Garden of India', has sprawling lawns, varied trees and shrubs, dotted with bronze sculptures of the contributors to India's culture. The Yogi Hraday KamalIt is a lotus shaped garden, containing stones engraved with quotes from world luminaries, ranging from Shakespeare and Martin Luther King, to Swami Vivekananda and Bhagwan Swaminarayan. Other Features
Nilkanth Abishek Mandapam
Narayan Sarovar
AARSH Centre
Premvati Ahargruh

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HUMAYUN TOMB

Humayun's tomb is known as the first example of the monumental scale that would characterize subsequent Mughal imperial architecture. Commissioned, it is believed, by Humayun's senior widow, Haji Begam, or by her son Akbar, the tomb is the first to mark the grave of a Mughal emperor; Humayun's father Babur, who founded the dynasty, had requested out of piety that he be buried in a garden. Humayun's Tomb is now one of the best-preserved Mughal monuments in Delhi.
The tomb design is attributed to Sayyid Muhammad and his father, Mirak Sayyid Ghiyath (Mirak Mirza Ghiyas), Persian architects and poets active in the Timurid and later the Mughal courts. The tomb is situated south of the Purana Qila, on the eastern edge of Delhi. It is set in the center of a garden in the classical Mughal char bagh pattern. A high wall surrounds the garden on three sides, the fourth side being bounded by what was once the bank of the river Jamna, which has since been diverted. The garden is divided into four parts by two bisecting water channels with paved walkways (khiyabans), which terminate at two gates: a main one in the southern wall, and a smaller one in the western wall.
The tomb sits at the center of a plinth, about 21feet (7m) high. The top of its central dome reaches 140 feet from the ground. The dome is double-layered; the outer layer supports the white marble exterior facing, while the inner one defines the cavernous interior volume. The rest of the tomb is clad in red sandstone, with white marble ornamentation.

Humayun's tomb is known as the first example of the monumental scale that would characterize subsequent Mughal imperial architecture. Commissioned, it is believed, by Humayun's senior widow, Haji Begam, or by her son Akbar, the tomb is the first to mark the grave of a Mughal emperor; Humayun's father Babur, who founded the dynasty, had requested out of piety that he be buried in a garden. Humayun's Tomb is now one of the best-preserved Mughal monuments in Delhi.
The tomb design is attributed to Sayyid Muhammad and his father, Mirak Sayyid Ghiyath (Mirak Mirza Ghiyas), Persian architects and poets active in the Timurid and later the Mughal courts. The tomb is situated south of the Purana Qila, on the eastern edge of Delhi. It is set in the center of a garden in the classical Mughal char bagh pattern. A high wall surrounds the garden on three sides, the fourth side being bounded by what was once the bank of the river Jamna, which has since been diverted. The garden is divided into four parts by two bisecting water channels with paved walkways (khiyabans), which terminate at two gates: a main one in the southern wall, and a smaller one in the western wall.
The tomb sits at the center of a plinth, about 21feet (7m) high. The top of its central dome reaches 140 feet from the ground. The dome is double-layered; the outer layer supports the white marble exterior facing, while the inner one defines the cavernous interior volume. The rest of the tomb is clad in red sandstone, with white marble ornamentation.

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